| Primary Material | Solid Brass |
| Secondary Material(s) | None |
| Craftsmanship | Traditional lost-wax casting with dual-patination (black brass Vitarka Buddha statue) |
| Finish | Charcoal-black oxidation with highly polished golden-brass face, hair, and vessel accents |
| Colour Palette | Obsidian Black, Radiant Gold, Deep Antique Bronze |
| Dimensions | Length: 6.9 inches × Breadth: 4.7 inches × Height: 9.1 inches |
| Weight | 2.67 kg |
| Origin | Handcrafted in India |
| Deity / Subject | Buddha (in Vitarka Mudra with Reliquary Vessel) |
A profound, absorbing darkness characterizes the smooth bodily form, abruptly interrupted by the brilliant golden warmth of the deity’s face and crown. This intense patination contrast demands immediate, quiet observation.
At a Glance
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Finish contrast: The deep, charcoal-black oxidation of the torso and limbs perfectly isolates the radiant, high-polish golden brass of the facial features and intricate snail-shell curls.
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Posture/form: The black brass Vitarka Buddha statue is seated in the classic half-lotus position (ardhapadmasana), projecting an aura of grounded, accessible wisdom.
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Key iconographic attribute: The right hand is raised in the Vitarka mudra of teaching, while the left rests in the lap holding a sacred reliquary vessel.
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Craftsmanship detail: The artisan has expertly controlled the chemical oxidation process, ensuring the dark patina remains perfectly smooth across the chest while leaving the delicate facial details brilliantly gilded.
The Artistry and Iconography of the Teaching Buddha
In the rich tradition of Himalayan Buddhist metalwork, the Buddha is frequently depicted communicating specific spiritual states through precise hand gestures (mudras). This dual-tone teaching Buddha idol captures the moment of active instruction, indicated by the Vitarka mudra where the thumb and index finger form a continuous circle of intellectual energy and the transmission of dharma. The inclusion of the ornate vessel resting in the lap suggests an esoteric or medicinal aspect, often associated with the Medicine Buddha or specific Bodhisattvas of healing. By employing a demanding dual-patination technique—chemically darkening the exposed body while leaving the face and crown radiant—the master caster physically illustrates the concept of divine illumination emerging from the void, transforming raw alloy into a powerful object for contemplation.
Styling Notes & Home Placement
Position this high-contrast figure on a dedicated meditation altar or a minimalist raw timber shelf, where natural light can strike the polished golden features against the dark torso. It serves flawlessly as a black brass Vitarka Buddha statue for a mindful study space, appealing deeply to practitioners seeking a serene and intellectually stimulating focal point for their daily practice. Measuring exactly 9.1 inches in height, the sculpture shares the approximate vertical stature of a standard trade paperback book stood upright, establishing a commanding presence without requiring excessive vertical clearance. At 2.67 kg, the concentrated mass of the solid cast alloy provides undeniable grounding stability to the display plane. The intense manual discipline required to execute the precise dual-tone finish and the detailed facial symmetry validates this antique finish brass Bodhisattva sculpture as a significant achievement in traditional Indian casting. To construct a cohesive, spiritually resonant sanctuary that bridges striking dual-tone metalwork with warm, atmospheric light, consider pairing this piece alongside a dual-tone brass tree tealight holder and a stone inlay brass Vajra box.
CARE & MAINTENANCE
• Keep free of: Sweep accumulated dust from the deep crevices of the snail-shell curls and the reliquary vessel of the black brass Vitarka Buddha statue using exclusively a dry, soft natural-bristle brush.
• Protect the patina: Preserve the striking dual-tone finish by strictly avoiding liquid metal polishes, acidic household cleaners, or damp cloths, which will permanently strip the dark oxidation from the body.
• Wipe only with: Clean the prominent, polished golden planes of the face and chest solely with a dry microfiber cloth to gently remove surface oils and maintain the radiant shine.
• Restore professionally if: Place the 2.67 kg statue away from extremely humid environments to prevent active corrosion, and seek specialized foundry repair if a severe impact deforms the delicate raised fingers or the vessel.